2018-05-11
Fashion as religion, and a higher moral fabric
Publication
Publication
The Globe and Mail , Volume 2018 - Issue May
Pop culture has never before turned to Catholicism in such a visible way. Beyond the layers
of Zendaya’s Joan of Arc chain mail and the golden reliquary atop Sarah Jessica Parker’s
crown lay a more complex underbelly of this year’s Met Gala. The May 7 event revealed the
extent of fashion’s power, placing it side-by-side with one of the world’s most powerful
religions. By inviting Hollywood to glamorize an entire faith, Ms. Wintour and Met Costume
Institute curator Andrew Bolton manoeuvred fashion into a realpolitik power play with the
Catholic Church itself. And for an evening, won.
Few could argue that Hollywood lives a pious lifestyle. Glamorizing an entire faith is quite
literally the definition of heresy. Why, then, invite Hollywood to don cassocks, rosaries and
Byzantine halos? Met Gala attendees have been critiqued before for questionable theme
interpretations – case in point, the 2015 China: Through the Looking Glass event – but this
year’s gala brings another dimension into the power play as it pits the power of the
museum, and the fashion industry, against that of organized religion. [...]
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hdl.handle.net/1765/112357 | |
The Globe and Mail | |
Organisation | Erasmus University Rotterdam |
Janssens, A.G, & Wynne, K. (2018). Fashion as religion, and a higher moral fabric. The Globe and Mail, 2018(May). Retrieved from http://hdl.handle.net/1765/112357
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