The main research question reads:
To what extent and how do non-whites and whites navigate (construct, maintain and/or deconstruct) ethno-racial boundaries in the reception of rock music in the United States and the Netherlands?

Additional Metadata
Promotor C.J.M. van Eijck (Koen) , P.P.L. Berkers (Pauwke)
Publisher Erasmus University Rotterdam
ISBN 978-94-028-1693-8
Persistent URL hdl.handle.net/1765/120024
Note For copyright reasons there is a partial embargo for this dissertation
Citation
Schaap, J.C.F. (2019, October 11). Elvis Has Finally Left the Building? : Boundary work, whiteness and the reception of rock music in comparative perspective. Erasmus University Rotterdam. Retrieved from http://hdl.handle.net/1765/120024