2014-12-18
The Art Tube: Strategies, perceptions and outcomes of museums’ online video portals
Publication
Publication
Digital Culture and Education , Volume 6 - Issue 4 p. 393- 408
Abstract
The current study investigates the phenomenon of museum communication through online video hostings, either by using YouTube or a customized platform. The videos uploaded by museums present a combination of educational and entertaining content depending on their objectives, attracting users to watch art content online. While the literature on uses and gratification is highly represented in media studies, few studies exist about the specific user motivations and gratifications of new media platforms in a museum context. Three types of users were identified in this study. The first type – artoriented users – display extrinsic motivation towards art exploration and seek for videos with educational content. The second type and the most widespread on these spaces – entertainment-oriented users – are intrinsically motivated and concentrate on the entertaining content of museum videos. Users of the last type are averse to exploring art content online, unless they are defined as non-art related. Overall, this paper argues that as art becomes a cultural product to be consumed online, popular video portals such as YouTube serve as an important platform to facilitate this democratizing effect, with varied implications for the art world.
Additional Metadata | |
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, , , , , , , , | |
hdl.handle.net/1765/77416 | |
ERMeCC - Erasmus Research Centre for Media, Communication and Culture | |
Digital Culture and Education | |
Organisation | Department of Media and Communication |
Gladysheva, D., Verboom, J., & Arora, P. (2014). The Art Tube: Strategies, perceptions and outcomes of museums’ online video portals. Digital Culture and Education, 6(4), 393–408. Retrieved from http://hdl.handle.net/1765/77416 |